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Master and Commander: The Far Side of the World (2003) Full Movie Streaming

Written By Gatot on Thursday, September 15, 2016 | 5:13 AM

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You get a complete description of Master and Commander: The Far Side of the World below:
  • Original Title : Master and Commander: The Far Side of the World
  • Movie title in your country : Master and Commander: The Far Side of the World
  • Year of movie : 2003
  • Genres of movie : Adventure,
  • Status of movie : Released
  • Release date of movie : 2003-11-14
  • Companies of movie : Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax,
  • Countries of movie : United States of America,
  • Language of movie : Français, Português, English,
  • Durationof movie : 138 Min
  • Average vote of movie : 6.9
  • Youtube ID of movie : 4wDVf5Tkc88
  • Translation of movie : DA,EN,DE,IT,ES,RU,FI,PT,ZH,SV,PL,TH,RO,UK,HE,FR,EL,PT,TR,HU,CS,NL,BG,
  • Actors of movie :Edward Woodall (2nd Lt. William Mowett), Mark Lewis Jones (Mr. Hogg), Lee Ingleby (Hollom), Russell Crowe (Captain Jack Aubrey), Robert Pugh (Mr. Allen), Ousmane Thiam (Black Bill), Jack Randall (Boyle), Patrick Gallagher (Awkward Davies), Paul Bettany (Dr. Stephen Maturin), Ian Mercer (Mr. Hollar), Billy Boyd (Barrent Bonden), Thierry Segall (French Captain), George Innes (Joe Plaice), Richard Pates (Williamson), Cpt. of Mizzentop), James D'Arcy (1st Lt. Tom Pullings), Joseph Morgan (William Warley, Richard McCabe (Mr. Higgins), William Mannering (Faster Doudle), John DeSantis (Padeen), Alex Palmer (Nehemiah Slade), Bryan Dick (Joseph Nagle), Tony Dolan (Mr. Lamb), Max Benitz (Calamy), David Threlfall (Preserved Killick), Chris Larkin (Capt. Howard), Max Pirkis (Blakeney)
The courage to do the impossible lies in the hearts of men.

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Master and Commander: The Far Side of the World is the best movie produced by Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax, along with a description of the movie is "After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.". The film was produced with excellent graphic quality, best ear busting sound quality and best starring actors.

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Researcher : Brice Criswell, Original Music Composer : Christopher Gordon, Camera Operator : Jamie Barber, Location Manager : Michael John Meehan, Producer : Duncan Henderson, Production Coordinator : Andy Foster, Boom Operator : Jeffrey A. Humphreys, Director of Photography : Russell Boyd, Studio Teachers : Maxine Arbarbara, Unit Manager : Rafael Cuervo, Property Master : Doug Harlocker, Art Direction : Mark W. Mansbridge, Script Supervisor : Brenda Lopez, Executive Producer : Alan B. Curtiss, Sound Re-Recording Mixer : Doug Hemphill, Set Costumer : Javier Arrieta, Propmaker : Bobby Mara, Visual Effects Producer : Jeff Werner, Armorer : Steve Auvenshine, Screenplay : Peter Weir, Co-Producer : Meyer Gottlieb, Leadman : Christopher Neely, Standby Painter : Anthony Gaudio, Production Office Coordinator : Derek Jan Vermaas, Set Dressing Artist : Giovanni Bianchini, Art Direction : Bruce Crone, Rigging Gaffer : Stephen Johnstone, Co-Producer : Todd Arnow, Set Designer : Nick Navarro, Post-Production Manager : Patrick Esposito, Post Production Assistant : Sassica Francis-Bruce, Production Illustrator : Daren Dochterman, Original Music Composer : Richard Tognetti, Casting Associate : Nicole Hilliard-Forde, Sound Recordist : Tim Gomillion, First Assistant Camera : Robert Hill, Rigging Grip : Oscar Gomez, Stunts : Joey Anaya, Makeup Effects : Gabriel De Cunto, Dialogue Editor : Hugo Weng, Translator : Quincy Perkins, Foley : Nancy Parker, Camera Operator : Martha Susana Ramos, Set Decoration : Robert Gould, Special Effects Coordinator : Daniel Sudick, Line Producer : Bridget Bourke, Set Production Assistant : Heather Anderson, Post Production Supervisor : Jeffrey Harlacker, Casting : Fiona Weir, Thanks : Christopher Terrill, Digital Effects Supervisor : David Ebner, Grip : Chris Centrella, Camera Operator : Guillermo Rosas, Visual Effects Supervisor : Stefen Fangmeier, Sound Effects Editor : Michael W. Mitchell, Art Direction : Héctor Romero, Second Unit Cinematographer : David R. Ellis, First Assistant Editor : John Lee, Art Direction : Marco Niro, Makeup Artist : Robin Beauchesne, Visual Effects Editor : Kosta Saric, 3D Supervisor : Christopher Bonnstetter, Art Department Coordinator : Gerald Lehtola, Lighting Artist : Michael Sean Foley, Novel : Patrick O'Brian, Assistant Director : Alan B. Curtiss, Projection : Larry Hoki, Executive Visual Effects Producer : Blondel Aidoo, Technical Supervisor : Brian Gee, Unit Publicist : Sandy O'Neill, Electrician : Willie E. Dawkins, Color Timer : Jim Passon, Craft Service : Orlando Chongo, Set Dressing Supervisor : Jennifer Lewicki, Visual Effects Producer : Stephanie Hornish, Scoring Mixer : Robert Fernandez, Screenplay : John Collee, Driver : Tom Gilhooley, Stand In : David Oliver, Visual Effects Editor : Tom Barrett, Co-Producer : Harvey Weinstein, Utility Stunts : Mitch Toles, Best Boy Electric : Rick Maddux, Set Designer : Mark Hitchler, Set Designer : Carlos Benassini, Stunt Coordinator : Daniel W. Barringer, Sound Designer : Richard King, Camera Operator : George Billinger III, Set Medic : Jeffrey D. Stevens, Makeup Department Head : Edouard F. Henriques, Telecine Colorist : Eric Putz, Layout : Dani Morrow, Casting : Mary Selway, Visual Effects Supervisor : Mitchell S. Drain, Editor : Lee Smith, Seamstress : Marcelina Barraza, Visual Effects Supervisor : Pablo Helman, Transportation Coordinator : Russell McEntyre, Quality Control Supervisor : Timothy Michael Cairns, Hair Department Head : Yolanda Toussieng, Camera Operator : Matthew J. Siegel, Script Supervisor : Wilma Garscadden-Gahret, Stunt Coordinator : Doug Coleman, Co-Producer : Bob Weinstein, Camera Operator : Don Reddy, Hairstylist : Edith I. Amezcua, Sequence Supervisor : Jay Cooper, Digital Intermediate : Hilda Saffari, Unit Production Manager : Todd Arnow, Transportation Captain : Wayne Stone, Visual Effects Coordinator : Kimberly Adams, Video Assist Operator : Adam Barth, Assistant Art Director : Kevin Ishioka, Foley : Gary A. Hecker, Production Design : William Sandell, Visual Effects Producer : Helen Elswit, Director : Peter Weir, Music Editor : Simon Leadley, Digital Compositors : Kathleen Beeler, Construction Coordinator : Gary Deaton, Lighting Technician : Derick Pritchard, I/O Supervisor : Brian Cuscino, Visual Effects Producer : Julia Frey, Construction Foreman : James Arrigo, Studio Teachers : Judith M. Brown, Dolby Consultant : Andy Potvin, Still Photographer : Stephen Vaughan, Costume Supervisor : Dawn Y. Line, Steadicam Operator : Harry K. Garvin, Gaffer : David Lee, Producer : Peter Weir, Storyboard : David Russell, Loader : Sal Alvarez, Production Sound Mixer : Art Rochester, Costume Design : Wendy Stites, Dialect Coach : Judy Dickerson, First Assistant Sound Editor : Linda Yeaney, Production Accountant : Jen Hutchinson, Original Music Composer : Iva Davies, Helicopter Camera : Phil Pastuhov, Producer : Samuel Goldwyn Jr., Sound Re-Recording Mixer : Paul Massey, Set Designer : Manuel Martínez, Set Designer : Bill Hiney
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